Voice Lab
Voice Lab is an automated voice analysis software. What this software does is allow you to measure, manipulate, and visualize many voices at once, without messing with analysis parameters. You can also save all of your data, analysis parameters, manipulated voices, and full colour spectrograms with the press of one button.
Voice Lab is written in Python and relies heavily on a package called parselmouth-praat. parselmouth-praat is a Python package that essentially turns Praat’s source code written in C and C++ into a Pythonic interface. What that means is that any praat measurement in this software is using actual Praat source code, so you can trust the underlying algorithms. Voice Lab figures out all of the analysis parameters for you, but you can always use your own, and these are the same parameters as in Praat, and they do the exact same thing because it is Praat’s source code powering everything. That means if you are a beginner an expert, or anything in-between, you can use this software to automate your acoustical analyses.
All of the code is open source and available on our GitHub repository, so if this manual isn’t in-depth enough, and you want to see exactly what’s going on, go for it. It is under the MIT license, so you are free to do what you like with the software as long as you give us credit. For more info on that license, see here.
Load Voices Tab

Load Sound File
Press this button to load sound files. You can load as many files as you like. At the moment, Voice Lab processes the following file types:
wav
mp3
aiff
ogg
aifc
au
nist
flac
Remove Sound File
Use this button to remove the selected sound file(s) from the list.
Start
Pressing this begins analysis. If you want to run the default analysis, press this button. If you want to select different analyses or adjust analysis parameters, go to the ‘Settings’ tab and press the ‘Advanced Settings’ button. Only the files selected (in blue) will be analyzed. By default we will select all files.
Settings Tab

To choose different analyses, select the Use Advanced Settings
checkbox. From here, you’ll be given the option to select different analyses. You can also change any analysis parameters. If you do change analysis parameters, make sure you know what you are doing, and remember that those same analysis parameters will be used on all voice files that are selected. If you don’t alter these parameters, we determine analysis parameters automatically for you, so they are tailored for each voice to give the best measurements.
Save Results
Save Results saves two xlsx files. One is the results.xlsx file and one is the settings.xlsx file. Here you can choose the directory you want to save the files into. You don’t have to click on a file, just go to the directory and press the button.
results.xlsx
The results file saves all of the voice measurements that you made. Each measurement gets a separate tab in the xlsx file.
settings.xlsx
This file saves all of the parameters used in each measurement. Each measurement gets a separate tab in the xlsx file. This is great if you want to know what happened. It can also accompany a manuscript or paper to help others replicate analyses.
Measure Duration
This measures the full duration of the sound file. There are no parameters to adjust.
Measure Pitch
This measures voice pitch or fundamental frequency. This uses Praat’s Sound: To Pitch (ac)...
, by default. You can also use the cross-correlation algorithm: Sound: To Pitch (cc)...
. For full details on these algorithms, see the praat manual pitch page.
Measure Pitch
returns the following measurements:
- Minimum Pitch
- Maximum Pitch
- Mean Pitch
- Standard Deviation of Pitch
- Pitch Floor
- Pitch Ceiling
We use the automated pitch floor and ceiling parameters described here.
Measure Pitch Yin
This is the Yin implementation from Librosa.
Measure Pitch RAPT
This is the RAPT implementation from pysptk.
Measure Subharmonics
This measures subharmonic pitch and subharmonic to harmonic ratio. Subharmonic to harmonic ratio and Subharmonic pitch are measures from Open Sauce (Yu et al., 2019), a Python port of Voice Sauce (Shue et al., 2011). These measurements do not use any Praat or Parselmouth code. As in (Shue et al., 2011) and (Yu et al., 2019), subharmonic raw values are padded with NaN values to 201 data points.
Automated pitch floor and ceiling parameters
Praat suggests adjusting pitch settings based on gender . It’s not gender per se that is important, but the pitch of voice. To mitigate this, VoiceLab first casts a wide net in floor and ceiling settings to learn the range of probable fundamental frequencies is a voice. Then it remeasures the voice pitch using different settings for higher and lower pitched voices. VoiceLab by default uses employs very accurate
. VoiceLab returns minimum pitch
, maximum pitch
, mean pitch
, and standard deviation of pitch
. By default VoiceLab uses autocorrelation for Measuring Pitch, and cross-correlation for harmonicity, Jitter, and Shimmer,
Measure Harmonicity
This measures mean harmonics-to-noise-ratio using automatic floor and ceiling settings described here. Full details of the algorithm can be found in the `Praat Manual Harmonicity Page<http://www.fon.hum.uva.nl/praat/manual/Harmonicity.html>`_. By default Voice Lab use To Harmonicity (cc)..
. You can select To Harmonicity (ac)
or change any other Praat parameters if you wish.
Measure Jitter
This measures and returns values of all of Praat’s jitter algorithms. This can be a bit overwhelming or difficult to understand which measure to use and why, or can lead to multiple colinear comparisons. To address this, by default, Voice Lab returns a the first component from a principal components analysis of those jitter algorithms taken across all selected voices. The underlying reasoning here is that each of these algorithms measures something about how noisy the voice is due to perturbations in period length. The PCA finds what is common about all of these measures of noise, and gives you a score relative to your sample. With a large enough sample, the PCA score should be a more robust measure of jitter than any single measurement. Voice Lab uses use it’s automated pitch floor and ceiling algorithm. to set analysis parameters.
Jitter Measures:
Jitter (local)
Jitter (local, absolute)
Jitter (rap)
Jitter (ppq5)
Jitter (ddp)
Measure Shimmer
This measures and returns values of all of Praat’s shimmer algorithms. This can be a bit overwhelming or difficult to understand which measure to use and why, or can lead to multiple colinear comparisons. To address this, by default, Voice Lab returns a the first component from a principal components analysis of those shimmer algorithms taken across all selected voices. The underlying reasoning here is that each of these algorithms measures something about how noisy the voice is due to perturbations in amplitude of periods. The PCA finds what is common about all of these measures of noise, and gives you a score relative to your sample. With a large enough sample, the PCA score should be a more robust measure of shimmer than any single measurement. Voice Lab uses use it’s automated pitch floor and ceiling algorithm. to set analysis parameters.
Shimmer Measures:
Shimmer (local)
Shimmer (local, dB)
Shimmer (apq3)
Shimmer (aqp5)
Shimmer (apq11)
Shimmer (ddp)
Measure Cepstral Peak Prominance (CPP)
This measures Cepstral Peak Prominance in Praat. You can adjust interpolation, qeufrency upper and lower bounds, line type, and fit method.
Measure Formants
This returns the mean of the first 4 formant frequencies of the voice using the To FormantPath
algorithm using 5.5 maximum number of formants. All other values are Praat defaults for Formant Path. Formant path picks the best formant ceiling value by fitting each prediction to a polynomial curve, and choosing the best fit for each formant. You can also use your own settings for :python:’To Formant Burg…’ if you want to.
Vocal Tract Estimates
This returns the following vocal tract length estimates:
Average Formant
This calculates the mean \(\frac {\sum _{i=1}^{n} {f_i}}{n}\) of the first four formant frequencies for each sound.
Pisanski, K., & Rendall, D. (2011). The prioritization of voice fundamental frequency or formants in listeners’ assessments of speaker size, masculinity, and attractiveness. The Journal of the Acoustical Society of America, 129(4), 2201-2212.
Principle Components Analysis
This returns the first factor from a Principle Components Analysis (PCA) of the 4 formants.
Babel, M., McGuire, G., & King, J. (2014). Towards a more nuanced view of vocal attractiveness. PloS one, 9(2), e88616.
Formant Position
Formant Position is set to only run on samples of 30 or greater because this measure is based on transforming the data using z-scoring, which is based on the population mean. Without a large enough sample, this measurement could be suspicious.
\(\frac {\sum _{i=1}^{n} {f_i}}{n}\)
Puts, D. A., Apicella, C. L., & Cárdenas, R. A. (2011). Masculine voices signal men’s threat potential in forager and industrial societies. Proceedings of the Royal Society B: Biological Sciences, 279(1728), 601-609.
Geometric Mean
This calculates the geometric mean \(\left(\prod _{i=1}^{n}f_{i}\right)^{\frac {1}{n}}\) of the first 4 formant frequencies for each sound.
Smith, D. R., & Patterson, R. D. (2005). The interaction of glottal-pulse rate andvocal-tract length in judgements of speaker size, sex, and age.Journal of theAcoustical Society of America, 118, 3177e3186.
Formant Dispersion
\(\frac {\sum _{i=2}^{n} {f_i - f_{i-1}}}{n}\)
Fitch, W. T. (1997). Vocal-tract length and formant frequency dispersion correlate with body size in rhesus macaques.Journal of the Acoustical Society of America,102,1213e1222.
VTL
\(\frac {\sum _{i=1}^{n} (2n-1) \frac {f_i}{4c}}{n}\)
Fitch, W. T. (1997). Vocal-tract length and formant frequency dispersion correlate with body size in rhesus macaques.Journal of the Acoustical Society of America,102,1213e1222.
Titze, I. R. (1994).Principles of voice production. Englewood Cliffs, NJ: Prentice Hall.
VTL Δf
\(f_i\) = The slope of 0 intercept regression between \(F_i = \frac {(2i-1)}{2} Δf\) and the mean of each of the first 4 formant frequencies.
\(VTL f_i = \frac {\sum _{i=1}^{n} (2n-1)(\frac {c}{4f_i})}{n}\)
\(VTL \Delta f = \frac {c}{2Δf}\)
Reby,D.,&McComb,K.(2003).Anatomical constraints generate honesty: acoustic cues to age and weight in the roars of red deer stags. Animal Behaviour, 65,519e530.
Measure Intensity
This returns the mean of Praat’s Sound: To Intensity...
function in dB. You can adjust the minimum pitch parameter.
Measure Energy
This is my port of VoiceSauce’s Energy Algorithm. It is different than the old RMS Energy algorithm in previous versions of VoiceLab. This code is not in OpenSauce.
Measure Speech Rate
This function is an implementation of the Praat script published here: De Jong, N.H. & Wempe, T. (2009). Praat script to detect syllable nuclei and measure speech rate automatically. Behavior research methods, 41 (2), 385 - 390.
Voice Lab used version 2 of the script, available here https://sites.google.com/site/speechrate/Home/praat-script-syllable-nuclei-v2
This returns: - Number of Syllables
Number of Pauses
Duratrion(s)
Phonation Time(s)
Speech Rate (Number of Syllables / Duration)
Articulation Rate (Number of Syllables / Phonation Time)
Average Syllable Duration (Speaking Time / Number of Syllables)
You can adjust:
- silence threshold mindb
mimimum dip between peaks (dB)
mindip
. This should be between 2-4. Try 4 for clean and filtered sounds, and lower numbers for noisier sounds.minimum pause length
minpause
This command really only words on sounds with a few syllables, since Voice Lab is measuring how fast someone speaks. For monosyllabic sounds, use the Measure Duration function.
Measure Spectral Tilt
This measures spectral tilt by returning the slope of a regression between freqeuncy and amplitude of each sound. This is from a script written by Michael J. Owren, with sorting errors corrected. This is not the same equation in Voice Sauce.
Owren, M.J. GSU Praat Tools: Scripts for modifying and analyzing sounds using Praat acoustics software. Behavior Research Methods (2008) 40: 822–829. https://doi.org/10.3758/BRM.40.3.822
Measure LTAS:
This measures several items from the Long-Term Average Spectrum using Praat’s default settings.
mean (dB)
slope (dB)
local peak height (dB)
standard deviation (dB)
spectral tilt slope (dB/Hz)
spectral tilt intercept (dB)
You can adjust: - Pitch correction - Bandwidth - Max Frequency - Shortest and longest periods - Maximum period factor
Measure Spectral Shape
This measures spectral: - Centre of Gravity - Standard Deviation - Kurtosis - Band Energy Difference - Band Density Difference
Voice Manipulations
Voice Lab provides several voice manipulations.
Manipulate Pitch
This manipulates pitch using the PSOLA method. By default Manipulate Pitch Lower and Manipulate Pitch Higher lower and raise pitch by -/+ 0.5 ERBs (Equivalent Rectangular Bandwidths) which is about -/+ 20 Hz at a 120 Hz pitch centre and about -/+ 25 Hz at a 240 Hz pitch centre. By default VoiceLab also normalizes intensity to 70 dB RMS, but you can turn this off by deselecting the box in the Settings tab.
Manipulate Formants
This manipulates formants using Praat’s Change Gender Function. By default, Formants are scaled by +/- 15%. This manipulation resamples a sound by the Formant scaling factor (which can be altered in the Settings tab). Then, the sampling rate is overriden to the sound’s original sampling rate. Then PSOLA is employed to stretch time and pitch back (separately) into their original values.
Manipulate Pitch and Formants
This manipulation raises and lowers both pitch and formants in the same direction by the same or independent amounts. This uses the algorithm described in Manipulate Formants, but allows the user to scale or shift pitch to a designated degree. By default, pitch is also scaled +/- 15%.
Resample Sounds
This is a quick and easy way to batch process resampling sounds. 44.1kHz is the default. Change this value in the Settings tab.
Reverse Sounds
This reverses the selected sounds. Use this if you want to play sounds backwards. Try a Led Zepplin or Beatles song.
Scale Intensity
This scales intensity to an RMS value. Use this if you want your sounds to all be at an equivalent amplitude. By default intensity is normalized to 70 dB.
Trim Sounds
This trims sounds. You can trim a % of time off the ends of the sound, or voicelab can automatically detect silences at the beginning and end of the sound, and clip those out also. If you have trouble with trimming silences, try adjusting the silence ratio in the Settings tab.
Spectrograms

VoiceLab creates full colour spectrograms. By default we use a wide-band window. You can adjust the window length. For example, for a narrow-band spectrogram, you can try 0.005 as a window length. You can also select a different colour palate. You can also overlay pitch, the first four formant frequencies, and intensity measures on the spectrogram.
Power Spectra

VoiceLab creates power spectra of sounds and overlays an LPC curve over the top.
Results Tab

This is where you can view results. You can select each voice file on the left and view each measurement result on the bottom frame. You can also view your spectrograms in the spectrogram window. You can change the size of any of these frames in order to see things better. Press Save Results
to save data. All data (results & settings), manipulated voices, and spectrograms are saved automatically when this button is pressed. All you have to do is choose which folder to save into. Don’t worry about picking file names, Voice Lab will make those automatically for you.
All data files are saved as xlsx
All sound files are saved as wav
All image files are saved as png